SEPTEMBER 9 - 13

Schedule

Monday, Tuesday and Thursday

h: 10,00/13,30

Wednesday and Friday

h: 9,30/10,45 ballet class  with Veli Pekka Peltokallio extra fee € 5,00

h: 11,00/14,30

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Venue

Centro Danza Royal - Via San Marino 89/14

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Workshop included into NOD International Contemporary dance Program  and open to 6 external dancers

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REGULAR FEE  

€ 170,00  NOD members rate

€ 195,00 Non  members rate (VAT 22% included)

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It's a 5 day  training workshop, Pau  will work on a creation with the dancers giving them the opportunity to present it in a sharing at the end of session within the wonderful setting of the Royal gardens of Venaria Reale, during "Natura in Movimento" Festival

Technique, creation and movement research with Pau Aran Gimeno

Each body has its own language, unique and perfect. Our working tool must be continuously powerful and sensitive. With this in mind, we will work through play and pleasure, with exercises based on technique, composition, improvisation and body narrative. We will open the space to dialogue with ourselves and the others. We will connect with an authentic personal expression and we will improve the quality of movement. We will achieve an increase in the awareness of our limits, which will allow us to overcome them. The result of our work will help us have an open and autonomous mind, capable of adapting to a creative process.

“I offer a space for the creative process to take place, for contact with oneself, sensitivity and expression, without pretentions or judgements, where everything is possible.” 

SEPTEMBER 16 - 20

Schedule

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Monday, Tuesday and Thursday

h: 10,00/13,30

Wednesday and Friday

h: 9,30/10,45 ballet class  with Veli Pekka Peltokallio extra fee € 5,00

h: 11,00/14,30

​

Venue

Centro Danza Royal - Via San Marino 89/14

​​

Workshop included into NOD International Contemporary dance Program  and open to 4 external dancers

​​

REGULAR FEE

€ 170,00  NOD members rate

€ 190,00 Non  members rate (VAT 22% included)

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Description
"It consists in the search for qualities of movements and states of mind in which we dive. I think that dance is an art through which the interpreter can be anything you want and imagine; for example, a powerful waterfall, a rock in a quiet river, a medieval knight or  a future one, joy, fear, etc. For this reason, in the work we experience as the movements can be realized with intentions and distinct qualities, and then take on different meanings. This will give us a bigger  chromatic scale for playing and transforming our feelings and our moods in movement’’.

Atelier / Improvisation
"What I'm interested in the Atelier Improvisation is the discovery of the inner world and fantastic universe of each and how these elements can also mutually mix between the different individuality, perhaps even transforming initial ideas to experience unexpected ways. We will therefore work with improvisations, themes… to create material for dance and theater ... but definitely we will experience other ways that I myself do not know yet defined but the meeting and the confrontation of the different universe.

 

SEPTEMBER 23 - 27

"Ultima Vez Company" dancer​

Schedule

Monday, Tuesday and Thursday

h: 10,00/13,30 Inaki  work out.

Wednesday and Friday

h: 9,30/10,45 ballet class  with Veli Pekka Peltokallio

h: 11,00/14,30 Inaki  work out

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Workshop included into NOD International Contemporary dance Program  and open to 7 external dancers

REGULAR FEE

€  170,00  NOD members rate

€  190,00 Non  members rate (VAT 22% included)

Trimester and monthly fee informations 

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DYNAMIC CHANGES description

The workshop is addressed to dancers and actors with physical training background interested in dance as artistic form of expression. Movement is the main theme of the workshop.

Partner and floor work with high doses of energy and dynamic changes will centre the attention in the class.

In the classes, senses and feelings are for a big deal the origin of movement and the shapes get organized as a consequence. 

The tools used in the class are easily applicable to any other ways of moving, I’m not trying to impose an aesthetic but it often looks pretty pedestrian aesthetic, humans like everyday’s actions. I also use ballet and modern dance terminology to orient us within the movement.

We will boost the shifts between states of power and fragility and observe the influence on the rhythm of the proposed dance language.

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TORINO

Centro Danza Royal - Via San Marino 89/14